Genre: Science Fiction/Fantasy, Thriller and Action/Adventure
Duration: 1 hr. 49 min.
Starring: Arnold Schwarzenegger, John Leguizamo, John Turturro, Elias Koteas, Francesca Neri
Director: Andrew Davis
Producer: Steven Reuther, David Foster, Peter McGregor Scott
Distributor: Warner Brothers
Writer: Peter Griffiths, David Griffiths, Ronald Roose, Nicholas Meyer
Cast
Arnold Schwarzenegger .... Gordon Brewer
Elias Koteas .... CIA Agent Peter Brandt
Francesca Neri .... Selena Perrini
Cliff Curtis .... Claudio 'The Wolf' Perrini
Miguel Sandoval (I) .... Phipps
Harry J. Lennix .... Dray
John Leguizamo .... Felix Ramirez
John Turturro .... Sean Armstrong
Michael Milhoan .... Jack
Lindsay Frost .... Anne Brewer
Raymond Cruz .... Junior
Tyler Posey .... Mauro
Jsu Garcia .... Roman
Rick Worthy .... Ronnie
Ethan Dampf .... Matt Brewer

Plot
Except for one little twist near the end, "Collateral Damage" offers no surprises. It is the quintessential Arnold Schwarzenegger action flick, right down to the last cliché. It reads more like a "Simpsons" parody of an action movie, rather than an actual action movie. Arnold plays Gordy Brewer, an L.A. firefighter whose wife and son are killed in a terrorist act. Due to diplomacy and red tape, the government is slow in retaliating against the perpetrator, a Colombian guerrilla who goes by the name "El Lobo" ("The Wolf") and whose real identity is known only to ... well, everyone in the FBI, apparently, though he¹s still able to get past airport security pretty easily. Anyway, despite a warning from kindly FBI Agent Phipps (Miguel Sandoval) that he mustn¹t take the law into his own hands, Gordy takes the law into his own hands. He heads for Colombia to find El Lobo (Cliff Curtis) himscollateral damage, doing so while voice-over narration from his firefighter buddies explains how it¹s impossible to do. But he¹s not gonna take no for an answer! He doesn¹t play by the rules! He¹s a loose cannon! He¹s a one-man wrecking crew! He¹s got nothing left to lose! Whatever!

El Lobo is an evil Bond-style villain, at one point killing an incompetent henchman with a snake -- not by having the snake bite him, but by forcing the man's jaws open with forceps and letting the snake crawl down his throat. Somehow, this kills him in under 10 seconds. It¹s still early, but I believe this will be the stupidest movie death of 2002.

Gordy, for his part, is resourceful and MacGyver-esque, while also being embittered and vengeful. He has no interest in bringing El Lobo to justice; he simply wants to kill him. As a viewer, it¹s hard to get behind this course of action. Gordy's feelings are natural, given the circumstances -- but we humans tend to find a way NOT to act on our murderous impulses. At some point during the allegedly arduous journey into the jungles into Colombia, you'd think calm and reason would take over. That it doesn¹t is further indication that Schwarzenegger doesn¹t play characters; he plays types, specially designed to help audiences vicariously live out their violent fantasies.

John Turturro and John Leguizamo show up as people in Colombia who help Gordy, and Elias Koteas is a CIA agent with dubious motives. There¹s also Francesca Neri and Tyler Garcia Posey as -- get this -- El Lobo¹s wife and son, who coincidentally are about the same ages as Gordy¹s dead family. Mrs. El Lobo explains her husband's backstory, which tidily boils a terrorist¹s motives down to a simple story of revenge. Those guys on CNN may try to tell you that there are complex factors at work in making a terrorist, but in the movies, it all comes down to a personal grievance, politics and religion be hanged.

It is directed by Andrew Davis, whose last memorable film was "The Fugitive," which also had a scene in which a man goes over a waterfall and lives to tell about it. "Collateral Damage" is nothing more than a retread of other action movies depicting one man against the world. Whether this one makes any money will be the answer to the question of whether Schwarzenegger can just keep cranking these things out without thinking first, or whether we¹re going to start demanding some originality.